I strongly
believe that an author of popular fiction, trying primarily to entertain, also
has a great social responsibility. The work of an author, in my view, should be socially
relevant and should hold mirror to the changing times and lifestyle of the
people his work is meant for.
In the garb of a
thriller, In the Shadows of Death deals with a number of issues - fragility of marriages,
corporate scandals, insecurities in a relationship driving an individual to the
edge - each potentially leading to passionate debates, diverse perspectives and
interpretations. I have been acutely conscious of the same all along. As an
author, I consider it my responsibility to present my point of view, and share
my thoughts with readers and reviewers.
Firstly, I would
like to draw attention to the portrayal of the modern day urban man and woman
in the story.
While there are female
characters in the story who make certain personal choices and the resulting
indiscretions lead to their eventual doom, the story is never judgemental, and
for every character, there is a sub plot delving into the circumstances that
cause that character to behave in a certain way. This, in fact, has been hailed as one of the
strengths of the book.
As Ms. Abhinaya Harigovind says in The Hindu (http://www.thehindu.com/todays-paper/tp-features/tp-metroplus/murder-mystery-and-urban-life/article8078673.ece)
“his characters are not all black and white, and he is not quick to judge
actions such as adultery as being sinful. Rather, he examines the several
alternate reasons for their actions.”
In fact, instances of a woman being indiscreet
are balanced in the novel by situations where the failure of a relationship is attributed to
the man denying his woman the bliss of motherhood or, routinely ignoring her
emotional and physical needs or, choosing to pursue his professional and
materialistic ambitions at the cost of the relationship or, being unduly
suspicious and insecure.
If there are male
characters in the story who, standing on the relics of failed relationships, eventually
realize their mistakes and own responsibility, that, in no way, makes the story
biased towards men.
Women have
always formed the backbone of my storytelling and In the Shadows of Death is no
exception.
Secondly, the
novel does not “stereotype characters”.
When I
look at Kolkata today, I see a city in the cusp of change. A sizeable
percentage of contemporary Kolkatans is
from a generation that is ambitious and ready to embrace 'the good life'. It is
a generation which has seen its parents struggle, yet has barely gone through
that struggle itself. And for many, there is a singular focus on fulfilling
their own desires and ambitions at any cost. In the process, Kolkata today is
experiencing a significant change in its societal structure and core ethics of
its people. This has been a key motivation behind my story.
In fact, In the Shadows of Death has been
hailed as a book that broke stereotypes in 2015. (https://www.tell-a-tale.com/6-indian-books-that-broke-stereotypes-in-2015/)
The reviewer aptly points out “In spite of being essentially a crime thriller,
In the Shadows of Death makes it to this list for its stark portrayal
of a generation which has suddenly gained the right to be ambitious... there
is a subtle undercurrent of the changing societal structure and core
ethics.”
As Ms.
Abhinaya Harigovind says about the characters in her critique in The Hindu (http://www.thehindu.com/todays-paper/tp-features/tp-metroplus/murder-mystery-and-urban-life/article8078673.ece)
“The book delves into the deep, dark recesses of the mind as it explores the
vice-like grip that human emotions hold over our actions. (There are) detailed
observations of human behaviour and the complexity of human relationships.”
And as Mr. Vishal Birje
mentions in his review of the book (http://thetalespensieve.com/2016/03/book-review-in-the-shadows-of-death/)
“The key elements of the book are the characterization and the
details with which the murders are described. The author uses only a few potent
strokes of words to describe the characters but they hit home instantly and,
rather touchingly.”
As one of the readers beautifully sums up, “What sets this apart from other great
thrillers is the way Sourabh has woven human tales into the fabric - you can
find the characters next door, the detective is not larger-than-life like
authors are always tempted to make their heroes, and at the end, even the
killer turns out to be a human instead of the twisted monster that I was expecting.”
Finally, I would
like to touch upon the characterization of the antagonist of the story.
I
would like to quote from Ms. Kishori Sud’s
thought-provoking review in The Times of
India (http://timesofindia.indiatimes.com/life-style/books/features/Book-review-In-The-Shadows-of-Death/articleshow/51455322.cms)
“At the end, even the killer turns out to be humane instead of the twisted
monster that one was expecting.”
Ms. Abhinaya Harigovind has
to say in The Hindu (http://www.thehindu.com/todays-paper/tp-features/tp-metroplus/murder-mystery-and-urban-life/article8078673.ece),
the characterization of the antagonist reveals the author’s “almost Freudian
understanding of how our childhood experiences influence our adult decisions.”
Finally, Mr. Vishal Birje
mentions in his review of the book (http://thetalespensieve.com/2016/03/book-review-in-the-shadows-of-death/)
“The great triumph of all the good detective novels, however,
lies in the characterization of the antagonist—and the author has done right
justice as far as that aspect of the book is concerned... while his identity is
kept secret right down to the wire, his motives are revealed or rather explored
right at the beginning, which makes the character hauntingly brilliant.”
I do not hesitate to claim that I take pride in the Epilogue of the story, which a number of readers and bloggers have called out as the most moving part of the entire novel. Mr. Vishal Birje mentions in his review of the book (http://thetalespensieve.com/2016/03/book-review-in-the-shadows-of-death/) "In fact, the last page of the story will force you to ponder over the seriousness of the issue here."
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