With 'One Indian Girl', CB breaks new ground. He writes in the voice of a woman, he talks about the challenges the Indian society, the Great Indian Family, the workplace keep throwing at modern urban Indian women, and how the protagonist battles against all of this and also, "her own inner voice at times". The last is a very clever and in this context, very successful writing ploy. CB maintains an almost parallel thread where the inner voice of the girl, brought up in a conservative, archaic environment seeped in ridiculous traditions, is often in conflict with the decisions her learned, logical and rational mind takes. In some sections of the book, I see CB taking a VERY mature and evolved tone of writing - in sharp contrast to some of his earlier books. The couple of sequences (one in her US apartment and another in her Hong Kong apartment) where the girl stands for her dignity and her values, even at the prospect of her dreams and her love being shattered, ...
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