Early on in the narrative, Paulami
Duttagupta has to say this about Onaatah, the feisty protagonist of her novel ‘Onaatah
of the earth’ (http://www.amazon.in/Onaatah-Earth-Adapted-National-winning/dp/9385854224):
‘ She
looked rotten. Her face looked battered. But she didn’t want anybody to see her
tears.’
This line pretty much sums up the courage
and the grit of the (s)hero of Paulami’s story.
Based on the eponymous Khasi language film
that won a National Award in 2016, Paulami’s novel is about a young girl who is
subjected to brutal sexual violation after being abducted in a car by a gang of
men that ironically includes one of her classmates from college, and who then
fights back against archaic patriarchy, against the radical changes in attitude
of those she had held close to her heart, and most importantly, against her own
inner demons that her traumatic experience had unleashed.
In the early sections of her story, Paulami
brilliantly depicts not just the physical sufferings but the emotional turmoil
that Onaatah goes through, in the confines of her hospital room and later in
the safety of her own house. Even as the very foundations of her trust on
mankind are shattered, Onaatah is asphyxiated by the cowardly rejection meted
out to her by her fiancé Peter and his family, as well as the forced
indifference of her parents.
Darkness scares her. Unknown roads scare her. A
cab packed with unknown men scares her. And the inevitable accusations, questions,
and aspersions keep haunting her. The city she had grown up in is no longer her
own.
To her credit, Paulami does not stereotype the
urban male. While she unmasks the monsters that roam freely among us, she also
deftly portrays the honourable exceptions – like the boys who pick up the
hapless Onaatah from the road where the rapists left her to die, the police
official in charge of the investigation, and the cab driver who remonstrates a
passenger who dared to put a price tag on Onaatah’s dignity by discussing with
her compensations offered to rape victims by the state. Or, for that matter, her
father who decides to stand by her in her battle against the rapists.
As Onaatah leaves the city and begins to discover
life anew in a village, basking in the warmth of the unconditional and
unflinching love from her uncle’s family and more importantly, villagers she
had never met before, her faith in humanity is reaffirmed. Onaatah discovers
purpose for her existence all over again.
Paulami paints with her words and I found myself
transported to the world of winding mountain roads, hills covered with moss and fragrant
wild flowers, and the breeze whistling through trees under the orange-tinted
sky of the dusk. Paulami creates memorable characters and weaves delightful sub-plots into her story that bring out the unblemished beauty and innocence of rural life, and the
essence of sharing and caring in a community. This is a world where people do not judge each other.
For example, in sharp contrast to Onaatah’s
experience in the city, when a girl of her age gets into a crisis in the
village, the villagers do not cast aspersions but come together to alleviate the
sufferings of the girl and her family, and help her find a way out of her
situation. It is a
revelation to discover through Paulami’s characterization the progressive and
liberated points of view of people who do not boast of formal education, who
are deprived of basic amenities, and who struggle to make ends meet.
The real strength of Paulami’s story, thus,
lies in the depiction of Onaatah’s journey into light. This is a story about rejuvenation
in the face of adversity.
Paulami says:
‘What
happened spoils an immediate present... but not your entire life... life is God’s
gift to you. How can it just get spoiled so easily?’
This could apply to any individual –
irrespective of gender. This could be about any crisis – and not just sexual
violation.
This is where Paulami’s book triumphs. This
is not just Onaatah’s story. This is about you and me. This is a story about
hope. About the courage to fight back. And emerge victorious. I know I will go back to this book every time
I am down.
Paulami, take a bow!
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